Roland Barthes, following the New Critics and T.S. Eliot, with his much debated The Death of the Author, renewed the contested relationship between the author and the text. Barthes rejects the Romantic concept of “Author-God” and advocates a structuralist/poststructuralist point of view that it is the “language that speaks” not the author. Barthes writes: “Linguistically, the author is never more than the instance writing, just as/is nothing other than the instance saying/: language knows a ‘subject’, not a ‘person’, and this subject, empty outside of the very enunciation which denies it, suffices to make language ‘hold together’, suffices,
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